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Navigating The Last of Us Season 2: Abby's Arrival, Storytelling Strategies, and Viewer Anticipation

8/25/2023

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Exploring the Complexities of Adapting a Video Game Masterpiece into a Captivating TV Series
In the ever-evolving world of entertainment, the intersection of video games and television has given rise to intriguing adaptations and riveting narratives. From the hit series "Arcane" to the promising "Twisted Metal," the realm of video game TV shows has captivated audiences with their immersive stories. However, perhaps none have garnered as much excitement and anticipation as HBO's adaptation of "The Last of Us," a critically acclaimed video game franchise that has captured the hearts of players worldwide.

Setting the Stage: The Transition from Game to Screen

The excitement surrounding "The Last of Us" TV series is undeniable, especially after the success of the first season, which showcased the remarkable performances of Pedro Pascal and Bella Ramsey. As news swirls about potential new additions to the cast for the upcoming season, including the notorious character Abby from the video games, fans are experiencing a mix of curiosity, nervousness, and excitement about what lies ahead. The question on everyone's minds is: How will this crucial character transition from console to screen?

The Concerns of Transition: Balancing Fan Expectations

Cristian Rogers, a passionate gamer and commentator, expresses his nervousness about the introduction of Abby into the TV series. He admits to feeling a strong connection to the first season and his desire for fans not to prematurely dismiss the upcoming season due to potentially polarizing character choices. It's a sentiment that resonates with many fans who have invested themselves deeply in the franchise.

Striking the Right Chord: The Challenge of Pacing

The delicate balance between the show's pacing and character development becomes a central topic of discussion. With Abby's entry into "The Last of Us" Season 2, questions arise about the scope of her story arc. How much will the show delve into her backstory? How far will her character evolve within the universe created by the series? Furthermore, the consideration of how Abby's presence impacts the dynamic between Ellie and Joel – portrayed by Bella Ramsey and Pedro Pascal – becomes a focal point for analysis.

The Narrative Approach: Balancing Game and TV Storytelling

The debate over the series' direction is reminiscent of the challenges faced by adaptations like "Game of Thrones." Just as George R.R. Martin's unfinished source material posed issues for the show's creators, adapting the "The Last of Us" games poses similar challenges due to the limited source material. With only two games to draw from, the question arises: Should the TV series follow the games' stories closely, or take a unique approach to expand the narrative? 

A Patient Game: The Dilemma of Future Installments

The video game's developer, Naughty Dog, is known for its meticulous approach to game development. With a hint at a potential "The Last of Us 3" in the works, the issue of pacing and storytelling becomes even more complex. The creators' cautious attitude towards crafting narratives offers an opportunity for the TV series to similarly take its time in unfolding the characters' journeys.

Character Building: Abby's Arc Done Right

A key aspect of the debate centers around Abby's character development. Many gamers found her actions in the second game rushed and her motivations insufficiently explored. The TV series offers a chance to address this concern by giving her character the time and depth it deserves. The suggestion of dedicating an entire season, or even two, to Abby's backstory and motivations emerges as a potential solution.

Pedro Pascal and Bella Ramsey: A Winning Combination

While the concern of introducing Abby early in the series arises, the role of Pedro Pascal's magnetic presence cannot be ignored. His portrayal of Joel, combined with Bella Ramsey's Ellie, forms a compelling foundation. The chemistry between the two actors has the potential to carry the show forward for multiple seasons, providing a strong argument for a gradual introduction of key elements.

Conclusion: An Exciting Journey Ahead

The debate surrounding "The Last of Us" Season 2 is a testament to the passionate fan base and the desire for a satisfying adaptation. The transition from video game to TV series is a complex endeavor, requiring a delicate balance between honoring the source material and crafting a compelling narrative for the screen. As fans eagerly await the second season's arrival, the discussions about Abby's introduction, character development, and the show's overall direction continue to fuel excitement and speculation.

Engage with Us: Share Your Insights!

What are your thoughts on the potential inclusion of Abby in "The Last of Us" Season 2? How should the show handle her character arc, pacing, and the growth of Joel and Ellie's relationship? Feel free to share your perspectives in the comments section below. Whether you're a die-hard gamer, a TV series enthusiast, or simply intrigued by the world of "The Last of Us," we'd love to hear your insights! Stay tuned for more engaging discussions and updates as we navigate the captivating journey of "The Last of Us" TV series.
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The Future of Thor in the MCU: Analyzing Thor 5 and Taika Waititi's Role

8/23/2023

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The Marvel Cinematic Universe's Phase Four has had its fair share of surprises and deviations from the expected path. As we peer into the MCU's future, a familiar face might hold the key to reshaping the fortunes of this expansive universe. Rumors abound that Thor 5 is in the works, but what's even more intriguing is the uncertainty surrounding the participation of the acclaimed director Taika Waititi, known for his directorial prowess in "Thor: Ragnarok" and "Thor: Love and Thunder." In this article, we delve into the discussion between Julian Martinez and Cristian Rogers, where they provide insights into the potential of Thor 5 and its directorial direction.

Thor's Filmography: A Mix of Triumphs and Setbacks

The conversation kicks off by addressing the recent trajectory of the Thor series. While Waititi's "Thor: Ragnarok" injected new life into the character, his subsequent installment, "Thor: Love and Thunder," received mixed reviews. Cristian Rogers voices his hesitation about Waititi's involvement in the upcoming Thor 5, citing the film's humor-over-drama approach and its departure from the character's epic origins.

Balancing Humor and Seriousness: The Quandary of Thor 5

A crucial aspect of the discussion revolves around the fine line between humor and drama in the MCU. The banter between the hosts highlights the delicate balance that needs to be struck, referencing Chris Hemsworth's critique of "Thor: Love and Thunder" as being too silly. The contrast between the character's epic portrayal in earlier films and his comedic transformation in recent ones is examined, prompting thoughts on the character's evolution and its implications for Thor 5.

Reflections on Previous Thor Films: Hits and Misses

The chat takes a trip down memory lane, evaluating the quality of the first two Thor films. While "Thor: Ragnarok" managed to revitalize the character, the second film, "Thor: The Dark World," is candidly labeled as one of the worst Marvel movies. This prompts a nuanced discussion on the importance of finding the right balance between humor and gravity, which seems to be at the heart of the Thor franchise's successes and failures.

Taika Waititi's Impact: The Comedy-Drama Conundrum

The conversation isn't complete without exploring Taika Waititi's impact on the MCU. His unique comedic style, exemplified by films like "Thor: Ragnarok," is acknowledged as both revolutionary and potentially problematic. The discussion delves into how Waititi's approach, while successful in some instances, may not always be the right fit for every installment in the franchise.

Thor 5: A Critical Opportunity

With "Thor: Love and Thunder" receiving mixed reactions, the hosts turn their attention to the upcoming Thor 5. The possibilities for Thor's future are laid out, including the introduction of Hercules as a potential antagonist or ally. While hopes are high for Thor 5 to return to its epic roots, the role of a visionary director is deemed essential for capturing the magic of the character once again.

T​hor's Significance in the MCU Landscape

Julian and Cristian discuss the importance of Thor's character within the broader MCU context. With key original Avengers departing, Chris Hemsworth's Thor remains a vital anchor for the franchise. The hosts highlight the necessity of utilizing Hemsworth's star power and address the need to fix certain characters within the universe, like Mark Ruffalo's portrayal of Hulk.

A Future Filled with Possibilities

As the conversation draws to a close, the hosts ponder the MCU's future. Thor 5's potential to reinvigorate the franchise is palpable, and the uncertain role of Taika Waititi adds an extra layer of intrigue. The dialogue underscores the importance of catering to both humor and drama, while also reflecting on past successes and pitfalls.
The anticipated arrival of Thor 5 promises a fascinating journey for both the character and the MCU. As fans eagerly await updates and casting confirmations, the conversation between Julian Martinez and Cristian Rogers provides valuable insights into the potential direction of the next Thor installment. Will it manage to strike the perfect balance between epicness and humor? Only time will tell, but one thing is for sure – the God of Thunder's adventures are far from over.
Stay tuned for more updates on Thor 5 and the future of the MCU! Share your thoughts and expectations in the comments below and make sure to subscribe for further in-depth analyses and discussions on all things Marvel. Catch you next time with more thrilling insights from Juju and Cristian!
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Blue Beetle : A Fresh Take on Superhero Origin Stories

8/22/2023

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In the ever-evolving landscape of superhero cinema, "Blue Beetle" emerges as a unique entry that weaves together cultural identity, family dynamics, and the classic superhero origin story. This DC film, while facing challenges at the box office, manages to shine through with its authentic representation and fresh take on a lesser-known character. Join us as we delve into the world of "Blue Beetle," exploring its connection to El Paso, its diverse representation, and the challenges it faces in a superhero-saturated market

Cultural Homage: El Paso's Influence on Blue Beetle:

Nestled within the heart of "Blue Beetle" lies a subtle yet powerful homage to El Paso. Though the movie is set in a new fictional city, the filmmakers have ingeniously woven familiar threads of El Paso into the narrative. Julian Martinez and Cristian Rogers, two friends dissecting the film, discuss the significance of these elements. The family's residence on El Paso Street and the glimpse of the iconic Plaza Theater serve as touching tributes to the filmmakers' roots, bridging the gap between fiction and reality.

Familial Bonds and Cultural Authenticity:

"Blue Beetle" sets itself apart with its genuine portrayal of Latino culture and family values. Julian and Cristian dive into the heartfelt dynamics that resonate deeply with their own experiences. While some critics argue that certain aspects come across as heavy-handed, these elements ultimately provide authenticity and relatability to the narrative. The film's exploration of family, traditions, and emotional connections showcases the beauty of embracing one's cultural heritage within a larger-than-life superhero tale.

Narrative Tropes and Unique Flair:

Despite familiar superhero tropes, "Blue Beetle" infuses the well-worn origin story with a fresh coat of paint. Julian and Cristian explore how the film strikes a balance between traditional narrative elements and newfound authenticity. Drawing parallels with other superhero films like "Black Panther" and "The Amazing Spider-Man," they dissect the film's themes of identity, responsibility, and self-discovery. The result is a story that resonates with audiences beyond the surface-level action.

Comparisons to Superhero Contemporaries:

The conversation shifts to the superhero landscape, dissecting the critical reception and box office performance of "Blue Beetle." As a relatively unknown character, the film faces the challenges of standing out in a sea of superheroes. Julian and Cristian discuss whether audiences' superhero fatigue might be impacting the film's earnings. Despite these hurdles, they highlight the positive reviews and the potential for word-of-mouth success that could ultimately propel "Blue Beetle" forward.

The Road to a Sequel:

The debate surrounding the film's potential for a sequel takes center stage. Julian and Cristian passionately discuss why "Blue Beetle" deserves a continuation. With the character's unique traits, charismatic performances, and untapped narrative potential, they emphasize the possibilities that lie ahead. Their discussion extends to integrating Blue Beetle into the broader DC universe, sparking excitement for the hero's journey to continue on both the big screen and other platforms.
"Blue Beetle" emerges from the shadows as a film that celebrates culture, diversity, and the universal journey of self-discovery. Julian Martinez and Cristian Rogers guide us through their passionate discussion, highlighting the film's significance within the superhero genre. Despite initial box office challenges, "Blue Beetle" stands poised to carve its niche in the hearts of viewers seeking a fresh perspective on the superhero experience. As the film opens doors to the potential of a sequel and broader universe integration, fans eagerly anticipate the next chapter in Blue Beetle's heroic saga.
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Super Mario Bros. Movie Success & Nintendo Cinematic Universe Speculation

8/18/2023

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In recent reports, the Super Mario Bros. movie continues to bask in success, having officially grossed a staggering $866 million worldwide. Julian Martinez and Cristian Rogers, the dynamic duo of the Comic Saiyans New Channel, engage in an enthusiastic conversation about the film's triumph, its impact, and the potential of a Nintendo Cinematic Universe (NCU). Let's dive into the exciting discourse that highlights their insights and speculations.

A Monumental Success
​

The latest figures on the Super Mario Bros. movie's box office earnings speak volumes about its popularity. With a whopping $866 million in global revenue, the film has taken the gaming and movie worlds by storm. This exceptional achievement raises an intriguing question: What factors have contributed to this unprecedented success where many video game adaptations have faltered?

Nostalgia and a New Era
​

Cristian Rogers, a devoted Mario enthusiast, shares his excitement about the film's opening weekend. His enthusiasm stems from being a long-time fan of the iconic plumber brothers. Playfully, he compares the new generation's fortune of enjoying the recent successful Mario movie to the past John Leguizamo adaptation, which was less favorably received. This lighthearted reflection resonates with fans who can now savor the success of the latest cinematic rendition.

Dreams of the Nintendo Cinematic Universe
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The discussion naturally segues into the possibility of expanding the Nintendo Cinematic Universe (NCU). Inspired by the success of the Super Mario Bros. movie, the concept of an interconnected universe featuring beloved Nintendo characters gains momentum. Rogers envisions spin-off movies for characters like Donkey Kong, Kirby, and even the potential for a Legend of Zelda masterpiece. This prospect sparks excitement among fans, igniting their imaginations.

The Legend of Zelda's Cinematic Potential
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Martinez brings up the stunning animation quality of the Mario movie and contemplates its potential application in a Legend of Zelda film. With its expansive fantasy world and iconic characters like Young Link, Old Link, and Ganondorf, the Legend of Zelda franchise offers a wealth of storytelling possibilities. The combination of breathtaking visuals and captivating narratives could propel the Legend of Zelda into cinematic greatness.

Turning the Tide for Video Game Movies
​

Reflecting on the turbulent history of video game adaptations in cinema, Martinez points to Netflix's success with "Arcane," a series based on League of Legends. This successful venture showcases the potential of turning beloved gaming franchises into compelling on-screen experiences. The conversation evolves into an exploration of potential characters for adaptation within the NCU.

Kirby, Donkey Kong, and More
​

The hosts delve into the prospects of adapting other Nintendo characters. Donkey Kong, with its rich gaming history, emerges as a prime candidate for a successful movie. Likewise, Kirby, despite humorous concerns about its superpower of eating potentially making the film "suck," is regarded as another strong contender. The discussion also touches upon the potential for a Super Smash Bros. movie, eliciting excitement from fans.

Crafting Compelling Narratives
​

Acknowledging the Super Mario Bros. movie's impressive visual effects, Martinez raises concerns about the importance of a well-structured storyline. The rushed narrative of the Mario film left an impression, sparking hopes for more meticulous storytelling in future adaptations. The success of "Arcane" serves as a testament to the power of narrative quality within the gaming adaptation realm.

Favorite Characters and Future Aspirations
​

The hosts share their favorite characters from the Super Mario Bros. movie, offering insights into the elements that resonated with audiences. The hosts express admiration for Jack Black's portrayal of Bowser and the unexpected Billboard 100 song stemming from the film. The idea of the movie being an Oscar contender is considered, drawing comparisons to the past less successful adaptation.

Anticipating the Nintendo Cinematic Universe
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As the engaging conversation concludes, it's clear that the Super Mario Bros. movie has paved the way for an exciting future within the Nintendo Cinematic Universe. The film's exceptional success has set a precedent for the potential of other beloved Nintendo characters to shine on the big screen. Fans can eagerly anticipate a world where their favorite gaming icons come to life in innovative ways.
Stay connected with the Comic Saiyans community as they explore captivating topics and share insights. Be sure to like, comment, and subscribe to join the conversation shaping the future of gaming adaptations and the Nintendo Cinematic Universe. Your support fuels the passion of creators dedicated to sharing their enthusiasm with fellow fans.
Julian Martinez: [00:00:13] According to latest reports, the Super Mario Brothers movie is still really successful. It's officially gross $866 million worldwide. Christian, did you get a chance to watch the movie What you think? [00:00:26][12.8]
Cristian Rogers: [00:00:27] Oh, yeah. I saw the opening weekend. I really, really enjoyed this movie. My wife and I were big Mario fans, so of course we had to see this movie. I was even joking around saying that I really like I really envy this new generation because they got the good Mario movie while us. We got the John Leguizamo Mario movie. Yeah. [00:00:49][22.0]
Julian Martinez: [00:00:50] Was even John Leguizamo is in the headlines recently. He's disappointed you didn't get recast in this new take on the Mario Brothers but now about him successful movie for Mario Illumination Studios. And one has to wonder they did set up other Nintendo characters were part of this movie like what is that next Nintendo character that deserves the spotlight? I've seen a lot of people throw out Legend of Zelda needs to get them together. Nintendo movie. We saw Donkey Kong already. We didn't see any Yoshi, We didn't see any Kirby, any of the other Super Smash brothers. Where are you thinking with this one? What would you like to see? [00:01:30][40.5]
Cristian Rogers: [00:01:30] Christian I think if they really want to get the box office going again, definitely The Legend of Zelda. Seeing that as a animated movie, especially from Illumination, they can do they can make it very cinematic. They're like, I don't know if you notice in the Mario movie, like the water effects and stuff. Imagine those effects in The Legend of Zelda movie, like how good that would look. [00:01:55][24.8]
Julian Martinez: [00:01:56] Yeah. And even if you didn't like the story of the new Mario movie, I think most people would agree that the animation in that movie was state of the art really well done, and it gave a lot of hope. Now, obviously, we all cringe at the thought of comic book or not comic book video game movies in general, because video game adaptations have not been very good the majority of our lifetime. I'm sorry, I get better. Like you look at Netflix and what they were able to do with Arcane and you kind of see the potential that some of these franchises have in movie theaters or TV shows like that series did Legend of Zelda. When I think about that, I think of a very broad fantasy world that has a lot of different avenues you could go into. You know, we've seen Young Link, we see Old Link, the story of Ganondorf. If you have a lot of potential in that series alone, I think, you know, and then I mentioned Donkey Kong. Okay, so Donkey Kong, Donkey Kong Kingdom, one of the most successful N64 games that ever existed. It's in a lot of people coming back and recent history and try and say that it wasn't as good a game as we thought. But we're not here to talk about that. We're here to say that I think that Donkey Kong even has potential. I don't know if Seth Rogen is going to be signing up for the sequels or the potential franchise of that. What do you think of like Donkey Kong? What do you think of like anyone else, maybe some white dark horse candidates from the Nintendo universe that can get a movie. [00:03:27][91.4]
Cristian Rogers: [00:03:28] So Donkey Kong would be successful? I feel like they're already setting that up for sure. But I think another good one would be Kirby. Kirby would be another great one. Those games so like crazy for Nintendo. I mean, Marissa loves Kirby and so does a lot of people. So I think that's another character that could really, really bring in even more box office numbers than other one. I don't know. Dogs to star is. Oh. Ooh, I like that one. Yeah. Star Fox would be great too, especially since I think Star Fox kind of got like kind of screwed over with the video games because, like, they don't make as many star Fox games anymore, but I feel like it makes a lot of them. I feel like if they brought out a movie, yeah, it would that they'd be making games again and the games would be selling out like all the other games have been. [00:04:22][53.6]
Julian Martinez: [00:04:23] See, the one thing I worry about with a Kirby movie is, you know, it has potential to really suck. [00:04:28][4.5]
Cristian Rogers: [00:04:29] Yeah. It does. And then also you're going to get a really good voice behind Kirby, too, because Kirby doesn't really talk. [00:04:36][7.1]
Julian Martinez: [00:04:37] Just laying that joke go by suck, Kirby, you know, literally his superpower superpower is eating. He's morbidly obese superhero that we need. [00:04:49][11.6]
Cristian Rogers: [00:04:50] It does have the potential to suck. [00:04:51][1.2]
Julian Martinez: [00:04:55] Honestly. You know, like what I think they're really setting up is NCU, Nintendo Cinematic Universe. You're telling me that they don't have the possibility of a super Smash Bros. Movie? Yeah, I could see that being a legit thing that they consider doing. Wii fit Trainer When are we getting that movie? [00:05:17][21.7]
Cristian Rogers: [00:05:19] Hook Hope Hopefully not too soon, but a super smash movie. Yes, that would that'd be amazing. I would love to see that in my lifetime, especially as a huge Nintendo fan. Yeah. [00:05:36][17.2]
Julian Martinez: [00:05:38] Now, let's say this the one thing, though, but regardless of what movie next, I do hope that they spend a little bit more time on a story. Like I said, the visual effects in the Mario Bros. Movie I like, I just felt like the entire story seemed a little rushed. They tried to give us a little bit of nostalgia from the video game itself. I wonder if other movies in this genre, this Nintendo universe, would fall into that trap? I would hope not. But you know, it's something that you have to consider based off the one movie that we've seen so far. Either way, if I can get in that Super Smash Bros. Movie. Jack Black returning to give us another rendering of "Peaches." I think that I'm on board for that. I'm on board for that. [00:06:18][41.0]
Cristian Rogers: [00:06:19] So who is your favorite in the movie? [00:06:21][1.6]
Julian Martinez: [00:06:22] Who was my favorite character in the movie? Um hmm. I know it has to be Mario's dad. It's very straightforward. Nope, nope, nope. Never mind that evil dog. That damn dog that gave them the problems when they're trying to do their first plumbing job. Sorry. Spoiler alert. who's 5 minutes into this and I'm over Spoiler If you haven't seen it after three weeks, I have a rule. If you haven't seen like the movie after the first couple of weeks, then you're probably waiting for it for streaming. And if you're waiting for it to be on streaming, you don't deserve to have spoiler warnings. Sorry. Not sorry. [00:06:57][34.9]
Cristian Rogers: [00:07:00] My my favorite was Bowser and I love the browser. Jack Black. This. Yeah, perfect. He is used to it as Bowser. [00:07:07][6.8]
Julian Martinez: [00:07:08] He did a great Bowser voice. It was kind of a weird thing that they did with the love story there. But yeah, the fact that they have a Billboard 100 song out of this movie is something that I don't think anyone on the producing directing team acting team thought that they were going to get out of this. [00:07:24][16.5]
Cristian Rogers: [00:07:25] And yeah, and it could be an Oscar contender too. They say it has a high probability of a happy life. [00:07:33][7.9]
Julian Martinez: [00:07:33] That certainly wasn't going to be any Oscar contending with the last Super Mario Bros. Movie. [00:07:39][5.7]
Cristian Rogers: [00:07:40] Yeah, definitely not. I wonder if that really pissed off John Leguizamo. He's probably like fuming about that. [00:07:47][7.6]
Julian Martinez: [00:07:48] Oh, he's fuming. He he even said the John Wick movie, the first one was a little meh, the first script, but hey, that's another episode for another day. Hey, guys. I'm Julian Martinez, one of the girls here at Comic Saiyans New Channel. Really appreciate your support. Go ahead and hit that like button. Comment below your thoughts on whatever the hell we were talking about and make sure to subscribe. We need subscribers, we need likers, we need commenters, all that good stuff. All could be done below. We'll be back with another episode till then. See you next time. [00:07:48][0.0]
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Invincible" Season 2: Anticipations, Tone Shifts, and Multiverse Concerns

8/18/2023

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San Diego Comic-Con has brought forth a whirlwind of exciting announcements, and among them is the highly anticipated return of "Invincible" for its second season. As the trailer drops and fans eagerly count down the days until November 3rd, the hosts of Comic Saiyans, Julian Martinez and Cristian Rogers, delve into their expectations, hopes, and concerns for the upcoming season. With a mixture of exhilaration and a dash of skepticism, let's dive into what "Invincible" Season 2 might bring to the screen.

The Excitement of Continuation: ​

"Invincible" Season 2 is arriving with a bang, and the excitement is palpable. Julian and Cristian express their anticipation for the new season, especially considering the gripping conclusion of the first season. With Omni-Man's dramatic departure after his shocking showdown with his son, Mark Grayson (Invincible), the stage is set for intriguing character developments and intense storylines.

Animation and Familiar Faces: ​

Cristian points out the visual allure of "Invincible" with its crisp and modernized animation style reminiscent of classic DC. The return of J.K. Simmons as Omni-Man adds a layer of familiarity and authenticity to the upcoming season. The animation's attention to detail and vibrant style serve to enhance the storytelling experience.

Lessons from Season 1 and Tonal Shifts: ​

While both hosts are enthusiastic about Season 2, Julian reflects on certain aspects of Season 1 that didn't resonate as strongly upon rewatch. Mark's girlfriend and the prevalence of teen melodrama proved to be a bit of a stumbling block for him. He expresses the hope for a tonal shift in the upcoming season, with a focus on more mature themes and character-driven storylines.

The Need for a Tonal Shift: ​

Cristian concurs with Julian's sentiment, recognizing the necessity for a tonal shift in Season 2. The revelation of Omni-Man's grand plan and the darker undertones of his character demand a more mature and grounded approach to the storytelling. The hosts share the sentiment that the series has the potential to evolve into something even more compelling as it delves into complex moral dilemmas and character growth.

Viltrumites and the Multiverse Angle: ​

The trailer teases the appearance of more Viltrumites, a plot point that excites both hosts. However, Julian expresses some reservations about the potential introduction of a multiverse angle. Having witnessed numerous multiverse storylines in both DC and Marvel, Julian hopes that "Invincible" Season 2 will avoid an over-reliance on this trope and instead focus on maintaining the series' unique identity.

Father and Son Dynamics: ​

Both hosts agree on the appeal of exploring the father-son dynamic between Omni-Man and Mark. Julian highlights the significant character shift that Omni-Man is poised to undergo, evident in his decision not to kill Mark outright. The mysterious line from the trailer, "You should have died in the crib," sparks intrigue and speculation. This line, they believe, could introduce new characters or storylines that add depth to the series

Special Episodes and Expectations: ​

The special episode centered around Adam Eve garners excitement, even though neither host has seen it at the time of discussion. They express hope that this additional content adds value to the series without falling into the pitfalls of teen melodrama. They also agree that the breakup between Mark and Amber, Mark's girlfriend, could be a necessary change to keep the storyline engaging.

Anticipating Plot Developments: ​

The hosts anticipate further exploration of Viltrumite dynamics and the challenges faced by Omni-Man. The universe of "Invincible" expands as more Viltrumites come into play, offering a richer tapestry of conflicts and alliances. Julian and Cristian express their desire to witness the growth of both characters and storyline complexity in the upcoming season.
As "Invincible" Season 2 approaches, fans are poised for an exhilarating journey filled with character evolution, shifting dynamics, and enthralling storylines. The hosts' blend of excitement, hopes, and concerns reflect the multifaceted nature of this beloved animated series. With a strong foundation laid by Season 1, "Invincible" has the potential to become a truly exceptional show that navigates complex themes while delivering compelling entertainment to a dedicated audience.
So more exciting announcements from San Diego Comic-Con "Invincible" Season two is coming to streaming in November. Invincible. Big weekend for them. We talked about in another video how Mortal Kombat got a lot of love. While it's tied to Invincible with Omni-man making his presence known there. But you know, Mark Grayson, we get to see him come back. How is he doing after his dad just put the beat down on him. And last season's season finale. Still one of the greatest all time season finales I think I've ever seen on TV in general. So I've been just chomping at the bit to finally get some more invincible news. And we kept hearing about delays and was there even going to be a season two at one point was even talked about. So knowing that it's official, it's here. I couldn't be more excited for it. Now, there are some things I hope they fix from last season, but how are you feeling about this one, Cristian.
Based on that trailer? I'm really excited about it. November 3rd Release date. Super excited, Of course, J.K. Simmons is returning for this season. That based off the trailer. But of course, the animation looks crisp as ever. I love that animation style or kind of reminds me of like classic DC, but more modernized. I just to me, it just looks amazing. A lot of returning characters I did. I'm just excited for season two, especially after that. After season one, Season one. It's just it was just such a surprise hit that I wasn't expecting an animated show to be like it was so good.
Now I like season one. In fact, I love season one and that's why, again, I'm excited for this next season. But I did have issues in season one on a rewatch. It didn't play as well for me. Like in particular, Mark's girlfriend annoyed the shit out of rewatching. There's a lot of teen melodrama that I kind of hope we shift away from in season two now that we had the ending that we did in season one. I mean, so I hope that that kind of is a tone shift that we get going with this next season. I don't know. How you feeling about that.
A tone shift I think is needed for the season, especially with everything that came out of Omni-man during the last episode that Omni-man actually didn't love the mom. He was just using her. And then his grand plan to take over Earth for Viltrum. Yeah, this season needs a tonal shift, especially since now omni-man is like a like how we say an Avengers level threat.
Yeah. Like and you look at the universe that they've created in Invincible to like, no one really has been able to even stand up close to Omni-man and we got the Viltrumite vs Viltrumite angle that's touched on in the trailer. So we're going to see more Viltrumites I think is something to keep an eye out for. It's not just going to be omni-man, it's not just going to be Mark. And that's where else in the comics universe, Invincible gets really exciting when you start introducing the even darker versions of Viltrum, like when ever Freddie Mercury comes back from the grave as a Viltrumite and starts wreaking havoc in the universe, you know, things are going to get really real. One thing that I was a little concerned with, and this isn't even necessarily indictment on just Invincible. I heard rumors that this season is going to delve into the multiverse, and I don't know about you, but I'm sorry. I get a little bit burnt out on multiverse storylines, so I would kind of prefer it to be a little bit more grounded in just its own reality, at least for this season, maybe for another season. So I hope that they don't go that route. That might burn me out a little bit.
Yeah, we've we've seen a lot of multiverse multiverse stuff, especially with like DC you see is like all merge multiverse now so is Marvel. They could save that for later. I just hope. I just hope maybe will introduce it and not go full into it. I just hope they don't go full into it in this season. Like I said, this season should be more grounded, especially with all the especially with everything that happened in the last season. Yeah.
Yeah. Like, I honestly just want to see a father and son storyline, a father reconnecting with his son after what happened. Because, you know, hey, we know that Omni-Man is clearly conflicted after he flies off into space. The fact he didn't just outright kill Mark tells you that his character's about to go through a major shift. That's why that last line of the trailer by Omni-man, where he's saying you should have died in the crib. I don't think I think that's a major misdirect. There's no way in hell that's directed at Mark. Either that's going to be a new villain or that's going to be a spoiler, or there may be another son, of Omni-Man. You know, because I just don't see. After how season one ended, Omni-man being like, Oh, man, I could have killed you right there but instead I went off crying into the sunset to keep you alive. I don't see him saying I should. You should have died in the crypt.
You should have died at birth.
Yeah, I agree. I think that's a misdirect for sure. But we also got something special. We did. They did release a special episode for Adam Eve. Yeah, I. I haven't seen it yet, but based off of internet reactions, they say it's a really, really good episode.
See, I haven't watched it yet either. Like, I guess I'll have to dive into that one to see. Like, what? What it's about. Again, hopefully it's not like more teen melodrama. I think I'm a little over that. Like, that's why I only have so many, so many CW superhero episodes that I really watch. It's kind of like when I start to tune out again. Just the biggest change Mark breakup with Amber. Just pull the plug there. If that's not episode one, I don't know if that's going to lead to very disappointing the rest of the season for me.
Yeah, she she was really annoying. She was.
She was the worst. Oh, sorry. Like, I. I got to go save your life. But you left me on campus day or whatever.
Yeah, exactly.
You didn't tell me, but you knew. You knew. And you still hold it against me.
Yeah, exactly.
Where's my super suit, woman? I don't know. Yeah, No, that was. That was probably my biggest gripe. It's so bad when you watch it and rewatch and, like, I remember, like, showing this my girlfriend, It would be like, Oh, man, we're like, This series was the best. And then like, we got to those scenes and I'm just, like, cringing the whole time.
Like, yeah, because she was just complaining about everything and it's like, dude, like you don't, it's, it's like with every superhero or now, like just the girlfriend is always like, Oh, you never have time for me. And it's like, yeah, I'm saving everybodie's life, What the hell, Cut me some slack, dude.
Yeah. You know, season one also two had kind of, like holes in the season. Do like the best two episodes, you would say for Invincible. Season one was episode one and the season finale. Yeah, you know, by far because, you know, episode one, of course, that's when you get omni-man killing their version of The Avengers and whatnot, and then obviously sees the episode season finale, you know? Yes. Where you get like all the true chaos of it. There are some lags in Season one of Invincible. And, you know, I do expect like season two is not going to hit it out of the ballpark for every single episode either. It just kind of how it works sometimes. You can't just have like not everyone could have a Game of Thrones season four, you know?
Yeah, no, we can't I would argue even the third episode of season one was really good. That was the one where where that the alien invasion is starting and that's the aliens that can't die. So Omni-man goes to their planet. I was.
But was it but was it a great episode or was it a great moment? Because when he destroys that entire alien race. Pretty a great moment.
Yeah.
Like this is my world. It's a rule and it's like, Oh, shit.
Yeah, exactly. You know? Yeah, it was a great moment. Not a great episode.
Yeah. And I know people are going to pick this and say, like, Man, you're just hating on season one Invincible. Don't you like the show? And I like, Yeah, I love the show. But like, I do hope that they could do better because I want this show to be amazing moving forward. Like, yeah, again, I know a little bit like, I'm not going to like, lie to everyone and say like I read every single invincible comic, but like I've seen a lot of content, so I know more or less the basis of storylines. There's probably some stuff that they should cut, but there's a lot of good content there that I think that they could really make a compelling TV series moving forward. It does get a little convoluted at points, especially when they do get into the multiverse storylines. So again, I kind of hope that they like keep those at bay for at least the time being, keep it a little bit more grounded. Um, but yeah, I mean that's going to be ultimately a decision for the showrunners right there, which way they want to go. And this could be a polarizing season for like whether or not people are going to continue watching it into the future. So yeah, you know, it's being make or break season. I think we're invincible. But. All right, guys. Well, what do you think? Are you excited for Invincible Season two? Will you be bingeing as much as you can, like. After the series wraps, the season wraps up. Make your thoughts Video. Subscribe to the channel files on all our social media from Juju and Christian. Stay safe, happy and healthy. We'll see you next time. 
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House of the Dragon in Peril? How the Writer's Strike Threatens Quality & Future

8/18/2023

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The entertainment world is buzzing with discussions about the ongoing writer's strike and its potential impact on the much-anticipated series, "House of the Dragon." In a recent conversation between Julian Martinez and Cristian Rogers, hosts of Comic Saiyans, they delved into the implications of the strike for HBO's flagship show and the broader landscape of entertainment. With the fate of "House of the Dragon" hanging in the balance, fans and industry insiders alike are pondering the consequences of this challenging situation.

​The Continuing Production of "House of the Dragon":

A glimmer of hope emerged when Julian and Cristian revealed that "House of the Dragon" is set to continue production despite the writer's strike. This news is met with excitement, especially for those who have invested in the Game of Thrones universe. The hosts emphasize the significance of this development, considering the mixed reactions that followed the conclusion of Game of Thrones' eighth season. As Julian shares his enthusiasm for "House of the Dragon," it's evident that the series holds the potential to captivate audiences and redeem the universe.

Quality Concerns Amidst the Writer's Strike: ​

The conversation pivots to concerns about the writer's strike affecting the quality of "House of the Dragon." Julian's worries are echoed by many who fear a drop in quality or dialogue exchanges reminiscent of later seasons of Game of Thrones. The hosts recognize the importance of maintaining high standards, particularly given the expectations of fans. Cristian acknowledges that "House of the Dragon" seems well-prepared, with scripts in order for its continuation. However, the real concern lies in the potential impact on other shows and movies, especially considering recent disappointments like the Flash movie.

The Ripple Effect on Warner Bros. and HBO Max: ​

The hosts draw parallels between the struggles faced by HBO Max, Warner Bros., and the successes of Disney's Star Wars and Marvel Properties. The underperformance of recent big hitters like the Flash movie raises questions about the financial stability of the studio. They emphasize that the success of flagship franchises significantly supports smaller projects, illustrating the interconnectedness of the entertainment industry.

The Box Office Blues and Hope for Redemption: ​

The conversation shifts to the box office struggles of Warner Bros., exemplified by the Flash movie's disappointing performance. The hosts express their concerns about the broader slate of films that have failed to resonate with audiences, such as Black Adam, Shazam 2, and "The Suicide Squad." As Cristian points out, even beloved properties like Harry Potter might need to bear the weight of rescuing the studio's financial situation. Against this backdrop, the stakes are higher than ever for "House of the Dragon" to succeed.

Navigating the Challenges of the Writer's Strike: ​

Reflecting on past writer's strikes, the conversation turns to the challenges of introducing new writers and maintaining show quality. Julian and Cristian reminisce about the decline of shows like Heroes during the previous writer's strike, which resulted in shifts in writing teams and a decline in quality. The potential for the same fate to befall "House of the Dragon" and other shows on hold is a concern shared by both hosts.

The Need for Quality and Patience: ​

The hosts conclude by inviting viewers to share their thoughts on the potential impact of the writer's strike on "House of the Dragon" and other Warner Bros. properties. They emphasize the importance of dialogue within the community and appreciate the support from subscribers. Julian and Cristian express their hopes that the writer's strike doesn't lead to prolonged delays, as seen with past strikes. With the fate of beloved franchises hanging in the balance, both creators and audiences must remain patient and vigilant for the sake of quality entertainment.
As the writer's strike unfolds, the future of "House of the Dragon" remains uncertain. The insights shared by Julian and Cristian shed light on the challenges faced by the entertainment industry and the delicate balance between maintaining quality and financial stability. With the fate of beloved franchises and new releases on the line, the industry must navigate these challenges while striving to deliver captivating stories that resonate with audiences.
Julian Martinez: [00:00:14] Okay. C-Money So the talk of the town, obviously is this writer's strike that's currently ongoing. But some news you just presented to me. It appears that "House of the Dragon" is going to continue in production, which is exciting because if anyone watched House of the Dragon now, I know it was a tough proposition to reinvest back in the Game of Thrones universe after what happened in Season eight. But I loved House of the Dragon. I thought it was a really good quality show, had some of the dialog moments that I missed from the older seasons of Game of Thrones. But I got to tell you, I'm a little worried about this writer's strike and how that could affect it, given the last thing I think HBO and Game of Thrones can afford is to have a drop in quality or drop in dialog exchanges like they had in later seasons of Game of Thrones. What do you think C-Money? [00:01:06][52.3]
Cristian Rogers: [00:01:06] So I think that it is still a really great news that House of the Dragon is still continuing production because, you know, they already have the scripts in order, so they're going to continue with that. But I am a little wary for the other shows or the other movies that are on hold because of this writer's strike where House of the Dragon, they HBO, HBO, Max Warner Brothers, they can't afford another dud because like how we were talking earlier, the Flash movie did really bad in the box office, like Abysmal. And HBO was anticipating that the Idol was going to be a big hit and everybody hated it. I couldn't get through the first episode, so I, I just thought it was a really bad show. So HBO definitely needs their big hitters to keep going. They can't afford to stop production on such a good show, such a good well and receive show. [00:02:07][60.4]
Julian Martinez: [00:02:08] I mean, you think about like what Disney is doing with like Star Wars and Marvel Properties, how they've been able to print money pretty consistently with both of those. If Max, Discovery, Warner Brothers, whatever the hell you want to call it these days, is having trouble with its big hitters like Game of Thrones and DC Properties, then they're kind of screwed because that's literally what funds every other project in that studio. You know, like when you think about like the little indie hits, where does the money from that come from? Well, it comes from the big name property succeeding. And the fact that The Flash, like you said, it was like a $300 million like I think production right. Something along those lines and I saw just this past week they barely scratched over the hundred million line it's it's getting ugly. And you know what I'll say this. I like the Flash movie. I really did. But the fact that it just is a box office bomb and maybe one of the greatest all time box office bombs. I don't know how Warner Brothers is going to be able to deal with it. They've had so many to Black Adam was a flop for them. Shazam 2 was a flop for them. "The suicide squad" was a flop for them. I can't name a property of theirs, a big name property of theirs. That seems this been actually making money at this point. Harry Potter, maybe like probably the Harry Potter franchise is The next thing they're going to have to hope is a big hit for them because, yeah, no going back to Game of Thrones, you know, like they also need that season two to be excellent after a two year hiatus because I tell you, I love that last episode of House of the Dragon thinking, Oh man, I can't wait for this. And then I found out about the two year hiatus. Then a fan with the writers strike. It might be three. Now it's back. The two well at that. Now there's back to do it Better be good. If it's not good, I might be out. I might be out like House of the Dragon moving forward. [00:04:11][122.5]
Cristian Rogers: [00:04:12] Yeah. I don't know if you remember the other writers strike back in, I believe it was 2007, and I believe it lasted till 2008 or till until 2009. But I remember a lot of shows back then. The quality dropped a lot. I remember that show Heroes first season was really good. Second season was not as good as the first, but it was still watchable and still enjoyed it. But then when it hit of the third season, that was when the writers strike was still going and they had to get brand new writers. Writers. I have never written for Hollywood before. Some of them were just not big heroes fans and the quality was really bad. So I really hope that the quality of Game of Thrones or everything else, I just thought the quality of the other shows that are on hold don't suffer the same fate as heroes, because Heroes was. It was kind of heartbreaking seeing that show go downhill. And it was such a good show. It was also Mortal Kombat 2. That film is on hold as well. And that's another big Warner Brothers movie that that they were hyping of. They they released the cast. They had that big cast photo with Karl Urban and all the other new cast members. And all of a sudden it's on hold. I just really hope that this this strike doesn't go too far to where it starts affecting the writing and the possible like filming schedules. It already has affected the filming schedules, but I just hope it doesn't make it. Like five years later, we're barely getting these seasons or these movies. [00:05:54][102.4]
Julian Martinez: [00:05:56] All right, guys. Well, let us know below in the comment section. Are you worried about like House of the Dragon? Other big name properties from Warner Brothers? Given this writer's strike, do you think quality is going to drop off as a result? We'd like to hear your thoughts below. Leave it like in the video helps the channel, obviously with a new channel. So we appreciate all the support we get. Hit that subscribe button as well. From Juju and Cristian, We'll see you next time. [00:06:18][22.0]
Cristian Rogers: [00:06:20] Hey everybody. I'm Christian Rogers, co-host of Comic Saiyans. Please subscribe like and comment on whatever we were talking about. We'll be releasing new video soon. So till then, see you next time. [00:06:20][0.0]
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Disney's Struggles Exposed: Why Star Wars and Marvel Are Losing Their Magic

8/18/2023

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The world of entertainment has witnessed Disney's remarkable rise and continued success over the years. However, recent times have shown a shift in the winds for the media giant. With highly anticipated projects falling short of expectations and some not performing well at all, the conversation around Disney's struggles is gaining momentum. In a recent conversation between Julian Martinez and Cristian Rogers, the duo dives deep into the reasons behind Disney's recent struggles. From the slowing down of Star Wars to Marvel's TV expansion, this blog post will dissect the key issues highlighted in their discussion and explore potential solutions.

Star Wars Slowdown Reflects Lucasfilm's Mistakes

A significant point of contention is the handling of the beloved Star Wars franchise. As Cristian points out, the rapid release of Star Wars content, while financially lucrative, may be harming the franchise's overall quality. Disney's zeal for quantity could be overshadowing the need for quality storytelling. A possible solution could be to slow down and focus on creating compelling narratives that resonate with both dedicated fans and newcomers to the Star Wars universe.

Marvel's TV Expansion Impacts MCU Quality

The expansion of the Marvel Cinematic Universe (MCU) into the realm of television has led to mixed results. While some shows like "WandaVision" and "Loki" have been well-received, others have fallen short. Cristian expresses concern that the writing has become lazy and the expansion may be diluting the overall impact of the MCU. The solution could be striking a balance between quantity and quality. While more content is appealing, ensuring that each show is well-crafted and meaningful to the larger narrative is crucial.

Pixar's Disney+ Releases Face Backlash

The decision to release movies directly on streaming platforms, as seen with Pixar's releases, has faced criticism. The lack of a theatrical release may have contributed to the perception that the films are not of the same quality. This raises the question of how to adapt to changing viewing habits while maintaining the allure of a cinematic experience. A potential solution could involve a hybrid model that allows for both streaming and theatrical releases, depending on the type of content.

Disney's Zeal for More Content: Quality Over Quantity

While Disney's eagerness to produce more content is understandable, it raises concerns about the potential sacrifice of quality. Cristian and Julian agree that sometimes less is more, and focusing on delivering fewer, but outstanding, projects could prove more successful in the long run. This requires careful planning and execution to ensure that each project is given the attention it deserves.

Many Recent Disney Releases Underperform

The underperformance of multiple recent Disney releases further adds to the company's challenges. Cristian highlights that relying solely on established properties and franchises may not be enough to guarantee success. This emphasizes the need for innovation and originality in storytelling. While established franchises are beloved, fresh and unique narratives can captivate audiences and rejuvenate the brand.
The conversation between Julian Martinez and Cristian Rogers sheds light on the multifaceted challenges Disney currently faces. Whether it's the quality and quantity balance, the handling of beloved franchises, or the need for innovation, the entertainment giant must navigate these obstacles to regain its footing. By revisiting its strategies, focusing on compelling narratives, and considering a hybrid approach to distribution, Disney has the potential to recapture its magic and once again captivate audiences around the world. As fans eagerly await the company's future moves, it's clear that careful consideration and adaptation are key to Disney's continued success.
Julian Martinez: [00:00:13] All right, Cristian. So the troubles at Disney have been well documented. They haven't really had as hot of a year as they were expecting Indiana Jones flopped for them. They recently had a little bit of a flop with Ant-Man Quantumania. It just doesn't feel like the same like it did when they initially took over the MCU and a lot of these other properties Star Wars. Is it working out as well as they would like either? So Screenrant actually released a list of the top five major reasons that Disney is struggling. Actually, this is coming from Bob Iger himself, the man in charge of Disney. He actually just recently took back power after like just being unhappy with the product that they're putting out. So I'm going to read them out to you and you just tell me what you think after we go through this list. So, number one. Star Wars slowdown shows lucasfilm's mistakes. Lucasfilm. That's been a big, touchy subject. Yeah. Number two, Marvel's TV expansion hurt the Mcu's quality. I think we can all agree to that one. Number three, Pixar is Disney plus releases backfired massively. Yeah, no, releasing on streaming platforms has not been kind to them at all. Number four, Disney's zeal for more content hurts things. Sometimes less is more. Number five, many recent Disney releases underperformed. Again, I just mentioned a handful of them out of that five. Like, what do you think is the biggest problem? [00:01:48][94.5]
Cristian Rogers: [00:01:49] I think right now it's Marvel's TV expansion. Hurt the MCU's quality. Ever since they started the TV shows, just the movies aren't as good. Like the two that I think are the best ones is definitely Wandavision and Loki. Those two are great, but the other ones just have not been good. She-Hulk I did not like at all. Never saw Ms. marvel. Mm hmm. Which one was it? The Winter Soldier one. Sorry. Falcon And the Winter Soldier Wasn't that good? It does hurt the MCU quality, especially for a story. Yeah, they just. A lot of the MCU shows just seem, like, shoehorned in which I really don't like it. Honestly. Makes me worried for the new Daredevil show that's going to come out. And then I'm trying to revive the Netflix shows. I'm really I'm really scared for that one. But the movies themselves also haven't been that good. I, I just feel that the writing I feel like Disney is just trying to release more and more MCU content and people are getting tired of it. And the writers are it's just becoming lazy writing now It's Yeah, it's as good anymore. [00:03:13][83.7]
Julian Martinez: [00:03:14] Yeah, it's a little repetitive on Screenrant list here but like the Disney zeal for more content hurts things that that relates obviously to the MCU it so there is a little redundancy in that but it's true because like how many TV shows have gone release I just can't keep up with them all. I just can't like I have a job, I have a life. Like I can't just sit in front of the TV for hours just watching all the new shows the Disney is putting out. Also with the expectation, especially with the MCU shows, that they relate to the grander universe. Yeah, and if I don't watch this, like, Yeah, and if I don't watch this, the next movie won't make sense. [00:03:54][40.0]
Cristian Rogers: [00:03:56] Yeah, I believe the one that ran into that problem was Wandavision and Doctor Strange. A little bit. Not too bad, but Wandavision was a really good show because it expanded on the MCU. Loki is a really good show because it also expanded, but the other shows just don't. It's just like, why? Like She-Hulk? I just, I was just questioning why did you make this? [00:04:22][25.8]
Julian Martinez: [00:04:22] But will it hold up though? Like it sounded like you actually were excited. Whenever they do relate to the movie in the grander universe, I'm saying I think that that's kind of part of the problem. Honestly, I wouldn't mind if the shows were more self-contained because when they dictate what makes sense in the next movie, it's an issue for me. Like because if I can't watch the show like you meant, you didn't watch Ms Marvel. I didn't watch Miss Marvel either. Can I watch this next Marvel movie, Captain Marvel movie? Will it still make sense to me without first being introduced to the Ms. Marvel character? Yeah. And is there any other shows that I can't sacrifice? Because if I do, then they won't make sense for the movie. Like the new Captain America coming out. If I didn't watch Captain America in the Winter Soldier, will that. Next movie not make sense to me. Secret Invasion right now. I haven't watched an episode of Secret Invasion yet. [00:05:18][56.1]
Cristian Rogers: [00:05:19] Yeah, neither have I. [00:05:20][0.8]
Julian Martinez: [00:05:20] Like, how far behind am I going to be as a result of it? [00:05:23][2.6]
Cristian Rogers: [00:05:24] Yeah, I like. Like you said, less. Less is more. They're just coming out to too many Marvel properties. For example. Another one that didn't make sense was Moon Knight. I couldn't finish it. I thought. I thought Moon Knight was biting off more than it could chew. I just didn't like it. Couldn't. Couldn't stick to it. And and they they're talking about that later on. Maybe Moon Knight could be in the fall, like MCU, like within the movies and just like, okay, but like the show that the show wasn't all that. [00:06:00][35.9]
Julian Martinez: [00:06:01] So why fight a little bit on that one? I thought the first three episodes of Moon Knight were good. It just lost me towards the end there. Yeah. [00:06:10][9.0]
Cristian Rogers: [00:06:10] It lost me. It lost me on episode four and I can't get past it. [00:06:14][3.9]
Julian Martinez: [00:06:15] And you talk about Daredevil, too, like losing you throughout the season. I mean, Daredevil supposed to get 20 episodes. Can they retain quality throughout 20 episodes now? Like, come on, I would have prefer if they just gave me, honestly, the six episode seasons that they're doing now. Like for the other shows. [00:06:33][18.4]
Cristian Rogers: [00:06:34] That. [00:06:34][0.0]
Julian Martinez: [00:06:36] I if you just give me six quality Daredevil episodes, I'm okay with that because I can guarantee you one thing. Not all 20 of these next Daredevil episodes are going to be good. There's going to be some filler in there. There's going to be some like episodes that just don't really advance the story. It's just a problem that happens to all TV shows. So whenever you put out a 20 episode season, it's the same reason. Like I don't love a lot of the CW shows. [00:07:03][27.9]
Cristian Rogers: [00:07:05] Yeah, it's too much, too many episodes, too much filler. I believe Daredevil, it's going to have no that the nice thing that happened with Daredevil was that Netflix only gave it eight episodes. Yeah, and there were eight quality episodes. Now it's not going to be there. [00:07:20][15.6]
Julian Martinez: [00:07:21] I'm going to work back to the number one reason they're listed. So they mentioned Lucasfilm. You know, you're a big Star Wars fan. You're a bigger Star Wars fan than I am by a mile. And that's another universe, too, that just seems to be plagued by like this more abundance of content, not only the movies, but, you know, with with the prequels. Because, you know, the rarity of a Star Wars film used to be like, once every, like 20 years. [00:07:46][25.2]
Cristian Rogers: [00:07:47] Yeah. [00:07:47][0.0]
Julian Martinez: [00:07:48] Oh, yeah. And when they move to, like, we need one like every other year or every year. It just you felt that like it wasn't good. We talked about another video like Rogue One. It's probably my favorite newer Star Wars movie. Yeah, I like the. [00:08:05][17.3]
Cristian Rogers: [00:08:06] Outline of. [00:08:06][0.5]
Julian Martinez: [00:08:07] The other trilogy. Like episode seven, right? Episode seven was probably the most redeeming one, but it was good because it was basically a rip-off of the first one. Yeah. Another two rough, rough watches. I don't care how big of a fan you are of Star Wars and is probably actually fans of Star Wars that hated the most rough watches. I personally, I haven't watched the Mandalorian Come at Me if you like, but like I know everyone who loves the first two seasons. I haven't heard a lot of nice things said about the third season. [00:08:40][32.8]
Cristian Rogers: [00:08:40] I can't finish the third season, which has dropped off. I can't do it. [00:08:45][4.4]
Julian Martinez: [00:08:46] Obi-Wan was a very contentious series, like the fact they were able to get Ewan McGregor back for it was very exciting and the first couple of episodes were really exciting. There was the big fight between him and Darth Vader at the end. That was great. But as a whole, if you really rate that series, it's probably a very mid series. [00:09:05][18.9]
Cristian Rogers: [00:09:07] Yeah, I did like Obi-Wan, The one that I liked a lot though was Andor. Andor Is the one that I'm like, okay, I can't wait for season two and or was Andor was Star Wars quality like. [00:09:19][12.8]
Julian Martinez: [00:09:20] Yeah well we don't even mention the prequel with Solo you know. [00:09:24][4.1]
Cristian Rogers: [00:09:24] Oh yeah Solo is bad. [00:09:25][0.8]
Julian Martinez: [00:09:26] You know. Yeah. Like the fact is, like we can say we've had one and a half good movies with Lucasfilm in the last decade. We've had three quality seasons of TV out of, what, five or six seasons of TV given by the Star Wars series? [00:09:47][21.9]
Cristian Rogers: [00:09:48] Yeah. [00:09:48][0.0]
Julian Martinez: [00:09:50] Like if they were a major League Baseball hitter, they'd be doing okay because they'd be batting about 300. But the problem is we're rating this more on NFL field goal kicker standards. If you're hitting like 50% or less, that's a problem. [00:10:02][12.3]
Cristian Rogers: [00:10:08] I just wish Disney would go back to the old way of releasing the Star Wars movies. They would wait us for us fans. We'd have to wait every four years for an epic Star Wars movie. And every Star Wars movie ended on some kind of new revelation that just happened, some kind of battle. I just wish Disney would do that, but I don't think they will because they want they want all the money that they can get out of the Star Wars property. [00:10:35][27.7]
Julian Martinez: [00:10:36] Well, isn't that kind of part of the problem as well, is like even though fans aren't happy with the quality. They're still shelling out the money for it. [00:10:48][11.4]
Cristian Rogers: [00:10:49] Yeah. [00:10:49][0.0]
Julian Martinez: [00:10:50] Like money talks, bullshit walks, end of the day. And the fact is that if Disney is still making money on it, Lucasfilm is still making money on it, which I know they lost money with Indiana Jones, but that's one project the most Star Wars movie projects tend to make back their money. If they're still making money with it, then where's the incentive for them to really change? Like unless Bob Iger is literally going to micromanage every one, every department, every aspect of Disney. I doubt that any significant change in quality is really going to happen. [00:11:24][33.2]
Cristian Rogers: [00:11:26] Yeah, then honestly, I would kind of put part of the blame on Kathleen Kennedy as well, that there's quite a bit of decisions that have been made just did not make sense, especially for this last Star Wars movie when they brought back Palpatine. Like, what was that? [00:11:43][17.0]
Julian Martinez: [00:11:43] Oh, my gosh. [00:11:43][0.4]
Cristian Rogers: [00:11:44] You just you just completely made Return of the Jedi irrelevant. [00:11:48][4.7]
Julian Martinez: [00:11:49] Well, the big problem with the Star Wars movies, well, at least the main trilogy movies, right, is that they had that break in directors, you know, going from J.J. to Rian Johnson back to J.J. is it's like the director before that came after always had to undo the work that the director before did. So it's like Rian Johnson, obviously under a lot of things that J.J. set up in the first episode or Episode seven. And then same shit happened in episode nine, where J.J. goes in and does a lot of stuff. The Rian Johnson setup. Yeah, so that's part of the problem. It seems disjointed how they even chose Do it. How If you had J.J. do the first two and then Rian Johnson finish off the trilogy, fine, If you had in reverse, Rian Johnson does the first one, J.J. does the next two. You find that obviously that didn't happen, you know, and you could be hindsight 2020 on that one, but there's a lot of missed opportunities there. How they treated Luke's character, how they treated a lot of the main trilogy characters. The random storylines like I'll never forget the Casino Planet, which turned into a weird animal rights allegory. [00:13:01][71.7]
Cristian Rogers: [00:13:03] That was that was ridiculous. [00:13:04][0.9]
Julian Martinez: [00:13:05] The awkward love story between Finn and that one chick Like, there's so many things, so many missed opportunities there and like. [00:13:17][12.1]
Cristian Rogers: [00:13:18] A lot of missed opportunities with Finn as well. Do they could have made Finn such a good character, but oh, he is. [00:13:25][6.7]
Julian Martinez: [00:13:25] And then he has nothing great to say about his time with Star Wars either. John Boyega almost wants to forget about his time with Star Wars horror. [00:13:33][7.8]
Cristian Rogers: [00:13:33] John Boyega Dude, like he he got shafted hard. Really? [00:13:39][5.5]
Julian Martinez: [00:13:39] Well, he made money, so he I don't think he really got shafted that hard. [00:13:43][3.4]
Cristian Rogers: [00:13:44] But oh, my God, They're like, like that. So they're talking about that next movie that Rey is supposed to be back. Yeah. [00:13:51][6.8]
Julian Martinez: [00:13:52] Oh, yeah. Fucking. [00:13:52][0.6]
Cristian Rogers: [00:13:53] And I don't know. I don't. I haven't heard one person said they're excited about that. [00:13:57][4.0]
Julian Martinez: [00:13:58] But yeah, again, people will watch. People will still go to the theater. People will watch like unless they experience something like Warner Brothers is going through right now. I don't think that Disney really has much incentive to change or do things different. Like again, like one bust at of Indiana Jones and a couple busts of like the Pixar movies like that won't hurt them in the grand scheme of things if they can still make their money back with Marvel Properties and the Star Wars properties, they'll be fine. [00:14:28][30.3]
Cristian Rogers: [00:14:30] Yeah, well, I guess we're going to have to see how the Marvel's does, because the Marvel's if that flops, then I think Disney might be a little bit scared. [00:14:39][9.4]
Julian Martinez: [00:14:40] Maybe, but it might just pressure them to do something like maybe they like Rush Spider-Man 4 or something, you know, and try and get that up there because they might just go back to go with what, you know, with Marvel, That might be the answer there. Reduced Marvel's size a little bit. I think they could do that a little bit easier than they can with Star Wars. [00:15:01][20.5]
Cristian Rogers: [00:15:02] Yeah, Yeah. [00:15:04][1.9]
Julian Martinez: [00:15:05] Focus on the villains. Focus on the heroes that people pay money for the villains. People pay money for Star Wars. I don't know what the right answer is to get them on the right track. [00:15:16][10.8]
Cristian Rogers: [00:15:17] I think with Star Wars, it's just quality over quantity. I think they just need to good Star Wars films, really good like competent writers like Get the Writers that made Andor to write a Star Wars movie. But well, actually but but the writers of Andor are the ones that made Rogue One get them to do another huge Star Wars movie, dude. Like that's that's what. [00:15:46][28.2]
Julian Martinez: [00:15:46] What's your focus on another Star Wars movie Like do you focus back to I guess what you would say is the main story that people care about right? Following the Jedi's and everything or you stick with. The bounty hunters have grown in popularity. Do you stick with more Star Wars politics stuff, which I don't think I would get excited about? [00:16:09][22.4]
Cristian Rogers: [00:16:10] I, I think I would do more smuggler's type storylines. [00:16:13][3.4]
Julian Martinez: [00:16:14] Okay. [00:16:14][0.0]
Cristian Rogers: [00:16:15] We we've got on a lot of Jedi, the Bounty hunters. We got Mandalorian for that do smuggler's like characters like Han Solo. You know what I mean? That that would. [00:16:24][9.7]
Julian Martinez: [00:16:25] Be So you're saying another Solo, a Solo sequel, prequel. [00:16:29][4.0]
Cristian Rogers: [00:16:30] Not another solo. Not that I said, like Han Solo. Not solo. And I honestly think that's why I liked Andor a lot because it was different. Yeah, writing the writing didn't The writing didn't make you feel like, how do you say it? The writing was competent, the writing was smart, it was just quality. It didn't need huge action set pieces you just really liked and or you really liked. Why he joined the Rebellion. Well, also, they showed the dark side of the rebellion. They had to do some stuff to get their movement going that did do some shady things, which I really enjoyed watching. [00:17:12][42.8]
Julian Martinez: [00:17:14] Probably the next big thing I could think they do would probably be a series on like Darth Vader or maybe just a Darth Vader movie. [00:17:22][7.9]
Cristian Rogers: [00:17:24] I will give Disney this though. They have made Darth Vader into a real badass. I will give. [00:17:30][6.5]
Julian Martinez: [00:17:31] Yeah. That one scene in Rogue one. Right? Just. Yes. Iconic. You know, even Hayden Christensen and Obi-Wan. Yeah. Ish. Like, I don't know. I mean, I still saw a little bit of little Annie. [00:17:47][15.8]
Cristian Rogers: [00:17:48] I love this scene, though, in Kenobi when. When half of the. Helmet is messed up and he's talking. But it's mixing with what? [00:17:57][8.9]
Julian Martinez: [00:17:58] There was a one scene that he set Obi Wan on fire. That was kind of cool. [00:18:02][4.0]
Cristian Rogers: [00:18:03] Yeah. Yeah. Then I liked. I like the part where Obi-Wan tricks him into escaping on the ship and Darth Vader just stops the ship that was sick. Like, he just stops it like nothing. That was cool. [00:18:15][12.2]
Julian Martinez: [00:18:16] Yeah. [00:18:16][0.0]
Cristian Rogers: [00:18:17] Even even in the video games, the new Star Wars, fallen Jedi Fallen Order and Jedi survivor. [00:18:23][5.6]
Star Wars Jedi : Fallen ORder: [00:18:25] I've carried so much hate for you. That doesn't look good. It isn't. [00:18:57][31.7]
Darth Vader: [00:19:12] You have failed the inquisitor of injustice. [00:19:15][3.8]
Star Wars Jedi : Fallen ORder: [00:19:19] What? No, no. [00:19:22][3.1]
Darth Vader: [00:19:27] They made Vader badass in those games. Like he he's actually horrifying in those games. It's it's pretty legit. [00:19:34][7.4]
Julian Martinez: [00:19:36] Yeah. Are we getting a young Yoda or something? I'm just thinking, like, what Disney is going to do. They're Lucasfilm. They're probably going to do something along those lines. But yeah, I mean, so those are the top five reasons, according to Screenrant, why Disney is struggling. Do you have a reason that you think was not met? Leave a like on the video, subscribe to our channel and now stay safe. Happy now. We'll see you next time. [00:19:36][0.0]
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"Kraven the Hunter Delayed! Sony's Sinister Six Universe Struggles: Analysis & Discussion"

8/18/2023

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The Marvel cinematic universe has undergone a seismic shift over the years, captivating audiences with its interconnected storylines and well-developed characters. Amid this evolution, Sony Pictures has embarked on a journey to carve its niche with Spider-Man spin-off films that weave a complex web of stories, often diverging from the traditional superhero narrative. One such film is "Kraven the Hunter," a movie that has recently been delayed, sparking discussions about Sony's approach to building its Sinister Six-style spider-verse universe.
The Lukewarm Reception of Kraven the Hunter's Trailer
"Kraven the Hunter," slated as a standalone film in Sony's spider-verse lineup, received a lukewarm response when its trailer dropped. In a conversation between Julian Martinez and Cristian Rogers, they explore the lack of excitement surrounding the movie and express their reservations about its potential success. The trailer seemed to hint at a darker, rated-R take on the character, mirroring the tone of Deadpool. However, both Julian and Cristian are skeptical about whether this approach will be enough to make the movie stand out.
Kraven's Predicament: A Villain in Need of a Foe
One of the fundamental issues raised in the conversation is the challenge of making a villain-centric film work without a strong protagonist to play off. Kraven's character is deeply entwined with Spider-Man's storyline, as he is depicted as a relentless hunter pursuing the elusive hero. Julian and Cristian ponder the absence of Spider-Man in Kraven's solo story and question whether the character can maintain the audience's interest without his iconic adversary.
A Change of Heart for Kraven's Character
The conversation highlights an interesting twist in Kraven's character for the upcoming film. It is mentioned that the film might shift Kraven's focus from hunting animals to hunting humans, perhaps as a means to make the character more relatable and likable. While this change may appeal to certain audiences, it also risks alienating fans who appreciate the character's traditional portrayal as a formidable Big Game hunter.
The Joker Comparison: A Flawed Model for Success
The success of DC's "Joker" movie, which garnered over a billion dollars worldwide, is often cited as a potential blueprint for villain-centric films. However, Julian and Cristian argue that the comparisons between Kraven and Joker are flawed. While Joker boasts a complex and enigmatic character with a rich backstory, Kraven is seen as more one-dimensional. This disparity could impact the movie's ability to capture the audience's attention in a similar manner.
Sony's Tumultuous Journey with Villain-Centric Films
Julian and Cristian discuss Sony's track record with villain-centric movies, referencing the mixed success of films like "Venom" and the critical failure of "Morbius." They question Sony's decision to venture into lesser-known characters' stories, such as Madame Web and an obscure lucha libre wrestler, played by Bad Bunny. Both express doubts about the feasibility of these projects and the potential backlash from audiences.
The Potential for a Symbiote Storyline
Julian and Cristian suggest that Sony should focus on more compelling storylines, such as exploring the various symbiote story arcs. Venom, a more intricate character with an extensive range of storylines, has the potential to maintain a successful movie series. Unlike Kraven or some of the other proposed projects, Venom's multifaceted nature provides ample material for storytelling.
Conclusion: Lessons to Be Learned
In conclusion, Julian and Cristian express their skepticism about Sony's approach to creating a spider-verse universe centered around villains. The conversation showcases their concerns about the lack of a compelling protagonist for Kraven's story, Sony's questionable track record with character-driven movies, and the risk of deviating from well-established character traits. While they acknowledge the success of Spider-verse animated movies and a few Spider-Man films, Julian and Cristian believe that Sony's ambitious endeavors might ultimately fall flat.
The Power of Fan Feedback
This conversation highlights the power of audience feedback and engagement. Fans' reactions can influence studios' decisions and even lead to significant changes in a film's development. Whether it's rallying against a poorly designed character (as seen with Sonic the Hedgehog) or voicing concerns about plot decisions, the Internet's collective voice can reshape the course of a movie's production and release. This phenomenon showcases the growing synergy between filmmakers and their audience in the digital age.
In Conclusion
As the cinematic landscape continues to evolve, studios like Sony face both opportunities and challenges in expanding their superhero universes. While the concept of villain-centric movies might offer a fresh perspective, it requires careful execution and a deep understanding of the characters' appeal. As Julian and Cristian discuss, the success of such endeavors rests on a delicate balance of storytelling, character development, and maintaining the essence of what makes these characters iconic in the first place. Only time will tell if Sony can truly spin its web of sinister stories into a compelling cinematic universe.
Unveiling the Spider-Verse Struggles: Can Sony's Villain Movies Stand Alone? 🕷️ Julian and Cristian dive deep into the latest movie delays and the rocky road of Sony's Spider-Verse ambitions. From Kraven the Hunter's questionable solo journey to the ludicrous Aunt May movie idea, they're pulling no punches. Is it time for Sony to focus on their strengths or risk burning through goodwill? Join the debate! #SpiderVerse #KravenTheHunter #SonyMovies"

Julian Martinez: [00:00:13] So just a few weeks after a trailer drops for it. Kraven the Hunter delayed another year. This is not a movie I was particularly excited for. It's not something that like screamed to me, I have to watch this movie. But this does play into what Sony has been trying to do for years in building a sinister six style spider-verse universe. Whatever. Cristian, how you feel about this? I mean, you saw the trailer, too. Did that inspire any hope for this movie actually being good? [00:00:47][34.1]
Cristian Rogers: [00:00:49] The trailer looked alright. You could tell that they're kind of going for like the rated R Deadpool type with this one. I didn't really find it all that great, but I try. I try not to give it hype because of morbius. When when I first saw the Morbius trailer, I was all hyped. I was like, What? Like Morbius is in the Spider-Man universe. This is pretty cool. Like, how are they going to do this? And I kept thinking, like, I wonder if they're I wonder if they're going to try to get like, blade in there and mix it into the MCU. But none of that came true. It was just a horrible movie. So this trailer. I was pretty lukewarm on it. Yeah. [00:01:29][40.2]
Julian Martinez: [00:01:31] I guess for me and this goes into like, I've never understood Sony's philosophy on this one, it's hard for me to have a Spider-Man movie or a movie set in the Spider-Man universe without Spider-Man. Hmm. And that's what they keep trying to do. And I just don't love it, you know? I mean, I know that the Venom movies are very popular. the Venom movies we've seen so far. We know that movie is going to get are that trilogy is going to have its third movie coming up soon. But for the most part, and I think Venom is just a stronger character for the most part, I just don't think that most of these villains can stand on their own without someone to work off of. For Kraven Who's that thing that gets people excited for a kraven movie, right? Like, who's the main threat? Yeah, Craven's the main threat. [00:02:32][61.5]
Cristian Rogers: [00:02:33] Yeah, exactly. Because in the storyline of Kraven, he's always hunting down Spider-Man because Spider-Man is the one thing that he can't catch. So what entity is going to play that in this film? Because in the trailer, all I saw was, okay, Kraven is a hunter, but he's just killing dudes left and right. And it's like, Okay, Bill, Why? Because, you know, every trailer, they don't tell you why, but they give you a little glimpse of where this can go. I didn't. This trailer, I think that's why I'm, like, lukewarm on it, because it's like, okay, what's the purpose of Kraven having his own movie? [00:03:13][39.5]
Julian Martinez: [00:03:14] Why now? I guess one thing you could say to Sony's benefit or giving them the benefit of the doubt in this is that Joker made $1,000,000,000 Joker, you know, So why can't I make a villain movie without that villain's main antagonists or the protagonists of said series? Hmm. I think for that one, the simple answer I have. I think Joker's just a more interesting character and anything. Spider-Man The Spider Man universe can really pump out it for the purposes of a standalone film because Joker has so much like nuance to his character. The fact that we never really know what his backstory is. Kraven is pretty one note as a character, or at least to me, feels like pretty one note. And maybe that's on the movie to kind of change my mind about that, but I just don't see myself listen, I just don't see myself opening night wanting to watch the Kraven movie. I'm not going to put it bluntly. [00:04:22][68.8]
Cristian Rogers: [00:04:24] Yeah. And that's how I kind of felt about the Venom movie when they first came out that trailer, because I kept questioning to like, Why are you going to do a Venom movie without Spider-Man? But they also did other things within that movie that showed, okay, well, this movie doesn't really need Spider-Man. [00:04:42][18.4]
Julian Martinez: [00:04:43] All that much. And Venom is a more interesting character than Kraven takes. I think that's that's the God's honest truth. I mean, and that shows in the comics, because the comics have done so much more to make Venom his own character. The fact that Venom has a standalone comic series, that Venom is, you know, is the antihero to. People. You know, he's not just a villain. Like, is the thing. Like, to me, Craven's just always been a villain. [00:05:14][30.9]
Cristian Rogers: [00:05:15] Yeah, he's just always been a villain. Always like hunting, doing all that. And. [00:05:21][6.0]
Julian Martinez: [00:05:21] And for movie audiences, too, I think movie audiences obviously always need a protagonist. Now, it sounds kind of cheesy to say, but you need someone to root for. Who do you root for in this one? And also, it's kind of like even kind of consider the real life world about it. There's not a lot of people that actually have fond views of hunting nowadays. So I kind of wonder if there's any even be a little bit of pushback to this movie, especially when we consider Craven's a Big Game hunter, which I have no problem with, but I'm sure some people will. [00:05:53][31.2]
Cristian Rogers: [00:05:54] I heard a rumor, though, that they changed this Craven that he doesn't hunt animals. I heard that. [00:06:00][6.4]
Julian Martinez: [00:06:00] So you're just pacifying Craven. You're taking away one of his core aspects as a character, essentially. [00:06:05][4.6]
Cristian Rogers: [00:06:06] So I think that's why in the trailer he's just killing dude left and right. [00:06:09][3.1]
Julian Martinez: [00:06:10] Yeah, because we have to make him more likable because he's killing the quote unquote bad dudes, which if I understand the trailer also are people. They're big game hunting. [00:06:18][8.0]
Cristian Rogers: [00:06:19] Yeah. So I think that's the change that they made. But it to me, it just doesn't sound that great. [00:06:25][5.6]
Julian Martinez: [00:06:26] It's a deviation on that character, a character that works well being that character. [00:06:32][5.4]
Cristian Rogers: [00:06:33] Mm hmm. [00:06:33][0.3]
Julian Martinez: [00:06:34] And hey, credit to Aaron Taylor-Johnson. The dude was fuckin yoked for this movie. [00:06:38][4.0]
Cristian Rogers: [00:06:39] Yeah, and I like that actor a lot. I think he's a good actor. But this movie, I don't think it's going to do that. Great for him, to be honest. [00:06:45][6.3]
Julian Martinez: [00:06:47] No, it just sounds like a movie that's going to do no one any favors. And I also just question in general, like be moving beyond Craven and having this discussion like, can these movies or I guess I should say, because Sony will say, can these movies work while we do the work? Well, other movies coming up. Then we have like Madame Web. I know they want to do a movie about like some obscure lucha libre wrestler played by Bad Bunny, and that's falling through on them. Can they do a Green Goblin movie? Can they Doc Ock movie? I just don't see it. Yeah, yeah. Just be a natural foil there. And if you're the thing that tethers the universe together, if it's not in there, it feels weird. And you know, the more I'll bring up morbius, you know, like if you want bring up your successes, then I can just bring up your biggest failure. It's Morbius. [00:07:41][54.2]
Cristian Rogers: [00:07:43] Morbius said. I saw. I've yet to see that movie. [00:07:44][1.8]
Julian Martinez: [00:07:45] Good. No one should. No one should shout to the rooftops. It's Morbin time. [00:07:51][5.7]
Cristian Rogers: [00:07:54] So bad movie. Yeah. Okay. So Sony itself. I try. Okay. So I love the Spider-verse movies. They've been killing it with Spider-Man. I liked. I like "Venom." I liked the "Let There Be Carnage." I thought that was a fun movie. But other than that, dude, I just don't. I don't like their plans with the villains. Like. [00:08:21][26.4]
Julian Martinez: [00:08:21] It's safe to say. Yeah. Is it just safe to say they've just burned their goodwill with us? Because they. We talk about the failures all the time. "Spider-Man 3." [00:08:32][10.2]
Cristian Rogers: [00:08:33] Mm hmm. [00:08:33][0.1]
Julian Martinez: [00:08:34] Then you go into the amazing Spider-verse, and I know you like them more than I like them. I didn't love those movies to begin with, but the amazing Spider-verse is amazing. Spider-Man two was awful. And yeah, I'm not trying to diminish Spider-verse when I say this, but at the end of the day it is animated movie, which I do feel gives you more liberties and things, ability to do stuff creatively like they've done when it comes to live action movies like they're releasing here, like Kraven, their track record I don't think really justifies it. [00:09:11][37.1]
Cristian Rogers: [00:09:13] Yeah. And dude, I have like no faith in the "Madame Web" movie. I just I don't I don't see how they can do it. Like, I don't know. I don't see it like when they announced that there there was like a big question mark on my face, like how and I want to. [00:09:32][19.6]
Julian Martinez: [00:09:33] Tell you how ridiculous it got at one point and this was during the Amazing Spider-Man era with Andrew. [00:09:39][6.1]
Cristian Rogers: [00:09:39] Bolt you're going to bring up. [00:09:40][1.3]
Julian Martinez: [00:09:41] They wanted to do Aunt May movie. [00:09:44][2.6]
Cristian Rogers: [00:09:46] But yeah, yeah, I remember that. [00:09:49][3.2]
Julian Martinez: [00:09:49] Like that tells you how ridiculous that at one point Sony got with it. And I think Marvel kind of reigned them in a little bit, like on doing that stuff when they finally got the Tom Holland deal done. But since they got that money, that financial boost and a little bit more good equity with Spider-Man properties. I think that they have decided to take it to the next extreme and again, go back to doing what they wanted to do from the beginning and just squeezing every last drop of money they can from this like universe that just isn't that deep. It's just not a deep roster. I feel. [00:10:26][36.4]
Cristian Rogers: [00:10:26] Yeah. Yeah. Is like venom. Like venom himself. You said it like we both agree is he's a very more interesting character. With him, there's been so many storylines that they could keep the Venom movies going on forever. [00:10:43][16.2]
Julian Martinez: [00:10:44] And okay, let me also just say what? The Venom movies. Yes. People like them. Yes, they made money, but those Venom movies are not exactly taking home any Academy Awards. [00:10:56][12.2]
Cristian Rogers: [00:10:58] Hmm. [00:10:58][0.0]
Julian Martinez: [00:11:00] Is that fair to say? Like they're not going to be critically acclaimed movies in the same way that at one point Marvel was and even some occasional hits from DC, like. Yeah, they're they're mostly people have fun with them more than they're good movies. [00:11:14][14.8]
Cristian Rogers: [00:11:16] Yeah, that's true. Like, that's very true. Dude, you only got that at any movie. Do what? They announced that I kept thinking, like, are they going to get Nicholas Sparks to write this shit, or does it go romantic? [00:11:31][14.9]
Julian Martinez: [00:11:32] Like, it's so dumb? Like, whoever pitched that, Like, I hope that they don't have a job anymore. [00:11:38][5.3]
Cristian Rogers: [00:11:39] Like, will you ever? [00:11:42][2.9]
Julian Martinez: [00:11:42] Why are you insulting your. Who are who? Watch. It is the biggest question I have. Oh, yeah. I want to watch the Aunt May movie that doesn't have Spider-Man and focuses on Mae and her struggles in this universe. [00:11:55][12.9]
Cristian Rogers: [00:11:59] Hoo hoo. Remember that? [00:12:00][1.8]
Julian Martinez: [00:12:01] It's like an insult to, like, the intelligence of moviegoing audiences. It's just like, Oh, they'll just pay for anything if it's comic book related. [00:12:08][7.1]
Cristian Rogers: [00:12:11] Yeah, for real though. Yeah, they did think that back in the day. And then Marvel came out swinging and was like, Oh yeah, they won't. [00:12:18][7.2]
Julian Martinez: [00:12:20] Yeah. Kevin Feige stepped in there is like the fuck you will, you know, like on. Like, what are we doing here? [00:12:29][9.8]
Cristian Rogers: [00:12:30] Yeah, exactly. I did feel kind of like that with the Madame Web movie. Not gonna lie like I was just like, Why? [00:12:37][6.9]
Julian Martinez: [00:12:39] What are we doing here, guys? Come on, Sony, be better. Just focus on your strengths. You have Spider-Man, focus on the strenghts. In fact, you're lucky right now. You have potentially three Spider-Man to pull from at the moment. Make those sequels. If they work, then we can start talking and build Sinister Six within those Spider-Man's universes. But don't try to stop with this nonsense of trying to make the Sinister Six happen. Outside of Spider-Man's main continuity. I feel like giving them the mean girls talk. Stop trying to make the Sinister Six universe happen. It's not going to happen. That's how I feel about it. [00:13:19][40.1]
Cristian Rogers: [00:13:20] Yeah. Honestly, if I was Sony, I'd go for like the symbiote storylines. That's what I would be doing. [00:13:27][7.1]
Julian Martinez: [00:13:27] I was like protesting these movies mostly on principle. [00:13:30][2.3]
Cristian Rogers: [00:13:31] Yeah, it just doesn't make sense. Morbius was the one that made me question like all this. Like, why? Like, why are you doing this? [00:13:38][7.5]
Julian Martinez: [00:13:41] God, I watched the movie. You can't even really tie that. I watch that movie out of waste 2 hours of my life I spent on a matinee to watch. [00:13:50][8.9]
Cristian Rogers: [00:13:50] Morbius you spent money on? [00:13:51][1.6]
Julian Martinez: [00:13:53] I went to a matinee movie, so I got a discount. You know, normal, just chill, run of the mill day. And I still felt like I wanted my money back. That's how bad that movie was. [00:14:03][10.2]
Cristian Rogers: [00:14:03] I remember when Sony thought that people wanted it to be released in theaters again because of all the news, and they did. [00:14:10][6.4]
Julian Martinez: [00:14:12] The expert trolling that went into that to convince a studio that's already released a bad movie to try and rerelease it. Actually, I really hope that 20 years from now that it's Morbin time movement restarts and Sony tries to get killed. It's like 20 year anniversary. It's Morbin time. [00:14:36][23.7]
Cristian Rogers: [00:14:37] To do that. I thought that was so funny. That was that was ridiculous. That was hilarious. [00:14:43][5.1]
Julian Martinez: [00:14:44] It reminds me almost when we bullied once that I think paramount to change Sonic the Hedgehog, that's the Internet is powerful. [00:14:52][8.1]
Cristian Rogers: [00:14:53] That's very powerful. Good. [00:14:54][0.9]
Julian Martinez: [00:14:55] All right, guys. All right. Well, hey, maybe we're wrong. Are you excited for Kraven the hunter? Let us know. We'll question your excitement, but let. us know in the comment section. Leave it like on the video. Subscribe to the channel. Follow us on our social media channels from Julian Cristian. Stay safe, happy and healthy. We'll see you next time. [00:14:55][0.0]
[812.8]
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Reacting to Netflix's New 'One Piece' Series + Why Anime Deserves Respect ??‍☠️

8/12/2023

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Breaking News Reaction: Netflix Unveils New 'One Piece' Series! 🌟🏴‍☠️ The high seas are calling, and the anime world is buzzing with excitement as Netflix drops a bombshell – a brand new 'One Piece' TV series is on the horizon! Join us as we react to this monumental announcement, diving into the potential of bringing Eiichiro Oda's iconic world of pirates to life once more. But the voyage doesn't stop there. We also take a critical look at the debate that's been ruffling feathers – should Netflix steer clear of turning beloved anime series into live-action ventures? 🎥🤔 Discover the reasons behind the concerns and the pitfalls that have plagued previous attempts. We dissect the magic that makes anime so beloved and explore whether the transition to live action can capture the essence that fans hold dear. Whether you're a die-hard 'One Piece' aficionado or a fervent advocate for preserving the soul of anime, this reaction video is your compass through the stormy waters of adaptation. Join the conversation, share your thoughts, and let's set sail into uncharted territories of anime and its live-action adaptations. ⚓🌊 Unlock insights, reactions, and predictions in this captivating discussion that navigates the choppy waters of anime-to-live-action conversions. Hit that subscribe button and embark on this cinematic journey with us – who knows where the tides of debate will lead us next? 📺🌌
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James Gunn's Big News: DC Animated Movies in Theaters + Debate: Is it Too Late?

8/12/2023

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"Exciting News: DC's Animated Movies Hit the Big Screen! James Gunn's Game-Changing Announcement 🎬🦸‍♂️ Hold onto your capes, because the world of DC animation is about to leap off your screens and onto the grand cinematic stage! 🌟 In a groundbreaking revelation, visionary director James Gunn spills the beans on DC's epic decision to release their animated masterpieces in movie theaters. Join us as we unravel this game-changing strategy that's set to redefine how we experience animated superhero adventures. From Gotham's dark alleys to Metropolis' dazzling skyline, get ready to witness your favorite DC heroes and villains like never before, projected in jaw-dropping quality on the silver screen. 🎥🍿 We dive deep into James Gunn's insights on why this move is a monumental shift in the comic book movie landscape. Discover the meticulous craftsmanship and artistic brilliance that goes into each frame, bringing beloved characters to life in a larger-than-life format. Whether you're a lifelong fan of the DC Universe, an animation enthusiast, or simply curious about the cinematic evolution of superheroes, this announcement is a must-watch. Join us in celebrating this bold leap into the future of animated storytelling, and mark your calendars for the thrilling cinematic journeys that await! 🦸‍♀️🎉 Don't miss out on this exhilarating discussion that delves into the synergy between animation and theaters, elevating the superhero experience to new heights. Watch, subscribe, and prepare to be blown away by the superhero spectacle headed your way! 🎬🚀"
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